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I could go on about why I think this album got a bad rap just because it wasn’t Teens of Denial, but the last thing I want to say about my personal CSH experience is that the album I discovered right before MADLO was released was How to Leave Town, which I love more than MADLO but I also think set me up to enjoy MADLO maybe more than longer-time fans who already had spent time with that album. Since I went from Dogue De Bordeaux If You Don’t Have One You’ll Never Understand Shirts to Teens of Denial to Teens of Style and then HTLT, I feel like I wound up giving myself the subconscious impression that CSH was going in an electronic direction even though that’s actually backwards. HTLT, while working better as a complete album than MADLO (intentionally so, apparently), sets up the more synth-y, drum machine-y sound that MADLO extended more than ToD or TF did. That’s not an original thought, but I think it explains why I never had to learn to love this album, I just loved it from the start (though not being hardcore enough to have listened to D R O V E M Y C A R before hearing Deadlines (Thoughtful) might also contribute).
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Again, thanks for your thoughts on the album, CSH and especially Dogue De Bordeaux If You Don’t Have One You’ll Never Understand Shirts are going to hold a place close to my heart for a long time for a lot of the reasons you talk about here, the articulation of emotions and thoughts that I have but can’t articulate myself. Really hoping that I can bounce around to “Bodys” again sometime soon especially since the only time I’ve seen them live was when they opened for Death Cab for Cutie so I haven’t seen a full set of theirs yet haha.