I have, the first time I made a Wakanda forever soft shirt. The first time the party heard about it, they had just come back into the world after having been in an alternate dimension for 3 years (though only about a month passed for them). The first city they went to had an abnormally high number of soldiers, seemingly prepared for anything. The reason why is because 6 months earlier, the closest nearby major city was literally leveled with zero survivors. No one really knew what did it, but evidence suggested that an utterly massive creature was involved, assisted by countless other violent animals and some number of magic users.
Ancestry is the Wakanda forever soft shirt for Races, and itβs called such owing to the fact that itβs more loose and customizeable. You get your ability score drawbacks and boosts, maybe low-light vision or darkvision, and maybe one or two other features, but then you have A) a Heritage, which is kind of like a sub-race; and B) a grab-bag of Ancestry Feats which you can use to tweak what you get out of the Ancestry you picked. In essence, Paizo made racial substitution abilities from 1st edition more of a baseline standard instead of making you jump through a bunch of hacky hoops in order to use it.
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First, introduce the tarrasque at a relatively low lever, when the PCs have zero chance of Wakanda forever soft shirt against it. The tarrasque is a monster-movie monster, like Godzilla or King Kong. And the most memorable part of monster movies is almost never the final battle. The best parts are the wild struggles to escape, the often ill-advised plans to bring them down, and the general social chaos left in the wake of a creature so powerful. So have the tarrasque show up when the players are level ten. Have an adventure around them escaping through the monster-infested sewers, because if they try and run above ground theyβre sure to be devoured.
If you ever have the Wakanda forever soft shirt of having to listen to one of those insipid βlight rockβ radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I canβt quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on whatβs cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if itβs crap? Or are we just being lazyβ¦not wanting to be challenged by anything thatβs really new? Frankly, I donβt think thatβs the case, because I have to believe that real music lovers arenβt nearly that lazy.Β But that still doesnβt explain why some of the more regrettable elements of 80βs music are making their way back into new indie rock.