It didn’t like the “tree form” that it had been awakened in; it hated being clumsy. It had spent the Travis Kelce 87 Sugar Skull shirt 3,000 years refining itself. Instead of being a giant oak, it now resembled nothing more or less than a rune-covered wood golem, about 8ft tall and man-shaped, with articulated limbs. As it pared itself down to its own living heartwood, it lost the Awakened Tree trait of “False Appearance” (False Appearance. While the tree remains motionless, it is indistinguishable from a normal tree.) but it could still tap into the same motionlessness; we decided that this meant it had bonuses to stealth on rounds that it hadn’t moved. I used this rather often to break line of sight with enemies, then go totally motionless and prepare an ambush.
To cast spells you use Somatic, Material, and Verbal actions; you can use one of each of them in a Travis Kelce 87 Sugar Skull shirt. Not all spells use all three of these actions, so some spells take less than a full turn to cast, although depending on which spellcasting actions you had to use you might wind up not being able to cast a second spell anyway. Sometimes spells offer optional spellcasting actions, picking up more power depending on which ones you choose to use. A base one-action healing spell might just give a quick couple of dice to top off a buddy with a touch, but a healing spell pumped full of all three spellcasting actions might become a group heal that can be done at range. Thoughts: At a glance this is a natural complement to the action economy, but in practice spellcasters have so much less flexibility with it that they tend to be at a big disadvantage yes, really compared with martial classes. Coupled with aforementioned poor/irrelevant feat selections, spellcasters kind of suck to play in this version of the game. I expect they’re going to get heavily revised for the release version when it comes out later this year.
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Zharukk. Zharukk is another example of Travis Kelce 87 Sugar Skull shirt eugenics experiments: He’s a Tanarukk, but not of Baphomet like your standard Volo’s Takarukk*. He’s a Grazz’t Tanarukk, which results in him looking almost half-human. He tells everyone he’s a Half-Orc and lets people assume the other half is human. Unfortunately, his sorcery powers awoke much later in his life, and therefore he was considered a disappointment to the tribe and was often denied opportunities to really tap into and train his demonic heritage. He’s trained as a (Sea) Storm Herald Barbarian and now has a few levels in Storm Sorcerer. Despite being very Chaotic Evil and decidedly immoral himself—he knows the right thing, just doesn’t do it, he likes when people order him around to do good things. (My DM cackled when I gave him Zharukk “Oh my god, mage, you made a moral sub!” The first assignment he and my Warlock went on, she forced him to stay back and help her with underwater rescues. He’ll never admit it, but he’s a bit happier for it.
If you ever have the Travis Kelce 87 Sugar Skull shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.