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The PCs are allowed cordially into the club, with a statement that they’re on the VIP list. Nervously, but graciously, they accept the Toronto Blue Jays Team Abbey Road 2023 Signatures Shirt and walk on in. They get their first round of drinks on the house, and the DJ, Lady Alushinyrra, makes a BIG ANNOUNCEMENT to the club, asking the whole crowd to welcome tonight’s Starfinders to the Neon Queen. Disconcerted by how… friendly… their enemies are being, the party decides to enjoy themselves while poking around for information. Problem! There are agents in the club. I mean, two NPCs who have Agent class levels and can use an equivalent of sneak attack with their electric truncheons. With the crowd to act as cover and a ludicrous amount of noise booming through the club, it’s practically perfect cover to stealthfully remove the PCs. Two of them get sneak-attacked, one of them gets beaten down to around half health — in the middle of the dance floor, no less, which counts as Difficult terrain.
Toronto Blue Jays Team Abbey Road 2023 Signatures Shirt
If you ever have the Toronto Blue Jays Team Abbey Road 2023 Signatures Shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.