Talked down her rival to the point where his patron, Zariel, ended their pact and left him. According to DM, he intended to have Errakyon be an antagonist for much longer, but allegedly I roleplayed out a damned good argument. Pretended to be a Steelworker 3rd generation union nonunion steelworker shirt of Umberlee to distract a bunch of dock workers while Captain Fahren could sneak into a warehouse and liberate a group of people. She basically swayed her hips, said “Umberlee sent me with a challenge: Whoever can beat me, can have me!” And then proceeded to throw most of said workers in the water when they attacked her. Umberlee made it quite clear that if Spinel ever invoked her again without actually being a worshiper, she’d capsize every vessel she stepped upon.
You can call this the “Grand Theft Auto instinct,” as it reflects a lot of Steelworker 3rd generation union nonunion steelworker shirt ’ behavior when they first get their hands on GTA and realize they can hit pedestrians with cars practically all day. And, like going around randomly crashing cars in GTA, murderhoboing gets boring after a really short time. That goes especially for the DM. It gets dull watching players do the same things all the time and watching every adventure result in the players taking a baseball bat to everything you prepared. You eventually go, “okay, we get it,” and want either players who invest more in their characterization, or you want to see objectives and interactions that are more sophisticated or structured.
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The door to the back room busts open, a Steelworker 3rd generation union nonunion steelworker shirt of gang members with guns get ready to open fire on the party. The party’s own Agent tosses a grenade in and shuts the door on them, buying them a little time while the Technomancer finds a control console so she can hopefully remote-access the entertainment system and shut the DJ down. Not liking this one bit, Lady Alushinyrra shifts the music again. From this point forward they’re battling her directly, and she uses a combination of lasers and sonic blasts to assault their position. By this point the crowd finally shakes out of her spell and starts fleeing the club in a panic. The party finds they can’t do any substantial damage to Lady Alushinyrra herself owing to a shield system that’s in place on her DJ’s station — she’ll probably pulverize them with sound waves before they ever get that down, much less start denting her HP. They can deal with the laser lights, the speakers, and the other mechanisms she’s using to relay her attack spells at them throughout the club, and they can definitely keep the goons in the back room from rushing them, so they focus on that while the Technomancer hacks the club.
If you ever have the Steelworker 3rd generation union nonunion steelworker shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.