If you owe that much wealth to a city, then that means that city has put out that much wealth, one way or another, on your behalf. The Retro Song Art Exodus Rock Band shirt worst they can do is send people to try to motivate you, but, so what? If you default, the city’s economy collapses, if it hasn’t already. It will likely have problems paying its guards or soldiers or courtiers or any other number of things. So, how do you resolve this? Instead of investing your money into paying back the debt, you invest your money into the city’s infrastructure. You buy the constabulary, the services, everything out from under them. You ensure the machinery go on, and then…
Mechanical advantage: Spellcaster simplicity. A warlock is a spellcaster but they are also in play the Retro Song Art Exodus Rock Band shirt spellcaster in the game. Tracking spell slots? What’s that. You get two that refresh at every short rest. Spell levels? What are they? Your spells level up when you level up. Sure this might take a few minutes every few sessions – but it’s nowhere near as obnoxious as spending time in play while other people are waiting for you. Overlong spell lists to faff with? 1+level isn’t that long. Spell preparation? Nope. None of that round here either. You get almost all the fun part of spellcasting (the ability to cast spells) with very little of the faff that goes with it and all in a package that’s pretty newbie friendly.
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The Retro Song Art Exodus Rock Band shirt of overt mechanisms for guarding some place or thing is a bit of an oldschool affectation from when games had less of a story-focus and more of a “get the lost treasure from the Pharaoh’s tomb” kind of focus. Without an environment like that it’s hard to justify the presence of a trap. Alarms, security systems? Yeah, those happen, but tripwires that make scything corridors or secret switches that shoot arrows at whoever opens the door seem like an awful lot more trouble than they’re worth in a structure that’s inhabited or under active use. Aside from that, it seems like a lot of traps are kind of “save or suck,” and I don’t have fun with that — not any more than I do making the players run a disable device check over and over until they get a door open.
“The Fugitive” is an older man, Ben who plays with the local kids and Retro Song Art Exodus Rock Band shirt almost magical powers. Old Ben’s favorite of the children is Jenny. He carries Jenny home (she walks with a leg brace), where she lives with her abrasively unsympathetic aunt, Agnes Gann. As they approach the row house, Ben causes his roller skates to de-materialize. This phenomenon is observed by two men who are watching the house from across the street. They enter the apartment building, identify themselves as police, and question Agnes about Ben. Jenny overhears the conversation and limps upstairs to Old Ben’s apartment to warn him. Old Ben takes on the form of a mouse, fooling the men into thinking he has left his apartment.Jenny takes the “mouse” back to her room. Old Ben tells Jenny that he is an alien from another planet, and that his appearance is only a disguise, as he is a fugitive from justice. Old Ben says he must flee to another planet, but before departing he uses a strange device to heal Jenny’s leg. The two strangers run into Jenny walking down the stairs without her brace.