It’s a paradise for foodies. For many, food is one of the Never Underestimate An Old Man Who Bungee Jumping Shirt reasons to visit Poland. Apart from the classic pierogis, borscht, and bigos, make sure you try some typical Polish sweets such as jam-filled pączki (Polish doughnuts), glaze-topped sernik (Polish cheesecake) or makowiec (poppy seed cake – traditionally served for Christmas). It’s affordable. Although prices in the biggest cities steadily continue to soar, Poland is still a fairly cheap European destination. To make your stay even cheaper, fly in with one of the low cost airlines such as Ryanair or Wizzair, eat your meals at the famous milk bars, get around by public bikes and book your stay at a hostel or rent out an Airbnb. If you’re visiting the capital, check out our guide to a budget stay in Warsaw. It is rich in history.
Critical hits happen on a Never Underestimate An Old Man Who Bungee Jumping Shirt 20 or if you roll 10 higher than the DC you’re trying to beat; critical misses happen on a natural 1 or if you roll 10 lower than the DC you’re trying to beat. Some skills, saving throws, and attacks take all four cases — hit, critical hit, miss, critical miss — into account, while some are less sensitive. However, this has a very interesting impact on the game, as saves, skill rolls, and attacks become potentially much more eventful. This comes up especially if you are staging a fight where the players and the enemies are not equal in level. The higher-level party has a higher bonus to everything, the lower-level party has a lower AC and saves, so one will tend to score way more critical hits than the other. If the party is level 5+ and fighting low-level mooks, those enemies will simply melt before their weapons. Likewise if the party is level 5 and fighting a level 10 or 11 monster, they are exceedingly likely to be crushed.
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Emen Bloodbinder the Ruthless of Narfell. Hilariously, the Never Underestimate An Old Man Who Bungee Jumping Shirt of Bloodbinder Orcs is a Kobold. Remember that bit from above about the Bloodbinders stealing children? Well, they stole a clutch of Kobold eggs on an unexpected raid, and Emen was the only one who hatched. (Azuch may or may not have been sent to smash all of the eggs some years back. He didn’t get there in time.) They wanted Kobolds for some of that natural dragon sorcery that a lot of them have, but Emen just wasn’t born with that genetic lottery. He did, however, turn out to be an excellent Enchantment Wizard, and quickly became the golden child of the tribe as a result. It’s gone to his head since then, and he’s ceased working hard in later years. (For anyone who knows Orcish names and is going “Waaaiiit, isn’t Emen a girl’s name?” Yes, and that’s intentional. According to Volo’s, Kobolds can slowly change sex, and Emen has a tendency to do that himself every few years. He likes his name, though, so that never changes.)
If you ever have the Never Underestimate An Old Man Who Bungee Jumping Shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.