Nightmare Cinema. Four directors present 5 Kenma And shirt with one of the most head scratching bridging devices ever. The first segment had really bad acting, but I guess that was the point. Very gory and didn’t make a lick of sense. Other segments were better acted, but most of them were incoherent. In one, a bunch of school aged children get slaughtered in graphic detail: lots of beheadings, etc…The best segment was the surreal Black & White segment directed (I believe) by Joe Dante. This one was at least interesting though, again, when you really think about it, it doesn’t really make sense. Most of the segments seemed amateurish, as if the SciFy Channel produced them.
I have so many questions about the mid—credits scene. Is Pietro evil or is he one of Agatha’s Kenma And shirt , like Wanda and (likely) Monica? My money is on the puppet theory. There was a popular theory that Pietro was Mephisto, but I didn’t believe it, and I was right. Was Agatha behind the recasting? Who knows. I thought they were done with Pietro, but, I guess not. Monica should be able to help Wanda through her trauma and eventually dissipate the Hex, though. I was legitimately hoping that Monica’s contact would be Leo Fitz from Agents of S.H.I.E.L.D.; alas, it was some newbie. A very competent newbie, but still. That was a missed opportunity. The commercial was also funny.
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Maybe they should’ve just let Baker write and direct the damn thing too. Outside of Del Toro’s knockout werewolf Kenma And shirt , director Joe Johnston’s much-troubled production (which barely got completed amidst director changes and other backstage drama) is poorly paced, a bit too grisly for its own good, and stupidly divulges into CGI overload for a moronic, action-heavy climax that pisses all over Chaney, Jr.’s legacy.