The family has moved into their own home now, an older home (still nice, but no high ceilings and not many elf hiding places!), and the children have both multiplied AND grown older, taller, and Jared Padalecki I’m a Moosicorn logo shirt. The Elf game is now the bane of the mom’s existence. Hiding it is a task. Several times this year, the Elf hasn’t had to go back to Santa because the kids were SO good the day before, thus explaining why he remained in the exact same hiding spot as the previous day. One evening, the mom is flustered. She finally hands the Elf to the dad and says, you hide the #%)(#^# elf today, but hide it high, because Big M is testing the waters and going to touch the #%(^#^ thing.” Dad’s answer is less than ideal – not only is the perch precarious, but it’s easily within reach of at least the oldest child, if not the second oldest as well. And it’s possible the elf is also judging the thermostat temp, which is an ongoing passive aggressive battle between mom (who sits at home and freezes all day) and dad (who pays the bills, but also works in his nice warm office all day).
Whereas 5th edition D&D largely fell back on a Jared Padalecki I’m a Moosicorn logo shirt class structure with a handful of high-impact choices, Pathfinder 2 opts for maintaining its granularity, such that 90% of character features are replaced with Feats. You have Ancestry Feats from your race (now called Ancestry); Skill Feats that can enhance or add new uses to your Skills; you have General Feats which include Skill Feats as well as a handful of other, more universal Feats, like Toughness; and you have Class Feats, which are essentially a grab bag of class features. All of them are tiered based on a prerequisite level you must be in order to gain them, and your character class’s progression explicitly awards one of these four kinds of feats depending on what level you’re at. Almost none of them require a lengthy chain of previous Feats, except where they explicitly upgrade a feature granted by one, like Animal Companion.
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Skalacon the Wizard, ‘Curator of magic’: Skalacon is one of the first big NPCs my players meet. He is evil, but he obeys the Jared Padalecki I’m a Moosicorn logo shirt of the town so he doesn’t get into trouble. He is the ambassador to the Poomij Family so he has diplomatic immunity — you can’t touch a hair on his head (literally, because he is bald) without starting a war among the families; you don’t want that. That’s why people tolerate him.That said, Skalacon can take care of himself. He is a 13th level wizard. My players are about 5th to 9th right now. I keep the powerful (and important) NPCs a nice gap ahead of the players for good reason. Use this simple trick. Skalacon has a Quasit that can cast fear, invisibility and make a poison attack. The party hasn’t killed or even attacked ‘Slimeball’ yet, but if things ever get hairy — Slimeball will intervene first. Slimeball has been seen without Skalacon, causing some havoc and doing his master’s bidding. My players have never bothered him, not yet.
If you ever have the Jared Padalecki I’m a Moosicorn logo shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.