If it is a family gathering and you are part of the I’m Sart Sampson Who The Hell Are You Shirt, try to show up and be with the family, then duck out and be Santa, then get out of costume and return to the party with as minimum fuss as possible. Also, have the photographer, there is always one in the family, take a couple of shots of you during the night to keep the illusion alive that you were there when Santa came calling. When Santa leaves, everyone says good bye inside and Santa goes out by himself so as not to spook the reindeer. Although I never did this I just thought of something fun if the party is at a house. Tie a long string with loud reindeer bells and drape it over the house. When Santa leaves and the door closes, he could run over and jerk on the string a few times so it sounds like the reindeer are on the roof at the back of the house. Maybe one of the adults could catch a glimpse of “Ol Saint Nick” flying away and try and point it out to the kids.
1: Let the players play and discover what they want: I was very stern in my young days. I had this one new player ‘Vincent’. He was new to the I’m Sart Sampson Who The Hell Are You Shirt and starting at first level. I thought the best thing was to do was solo him and get him to higher level so he could compare with the other characters that were already higher. I put him on a ‘crash course’ of solo level gaining, which was what I thought he needed. Long story short — he lasted one day. Looking back, I played how I wanted but not how he wanted. I never asked him what he wanted to do in the D&D game. Soloing is fine if that’s what they want. Ask your players what they want to accomplish in the D&D world?… Some players will want to tame a dragon. Some want to build a castle. Some players want to become a powerful Wizard and wield arcane spells. This all really depends. Find out what the players want, and see if you can entertain them… look! You find a Dragons egg! D&D has to be more about what the players want to do, and less about what the DM wants. Long term players are what fuel the game. Find out!
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You can give any character of any class a distinctive personality, strong motivations, and interesting connections to the I’m Sart Sampson Who The Hell Are You Shirt around her. My favorite thing about 5e is the little role-playing guidelines included in character creation. Alignment is all but irrelevant in this edition; more interestingly, the game tells you to choose ideals, flaws, and bonds for your character, offering examples to pick from if you’re not feeling especially inspired. In rules as written, these character elements have no mechanical implications — they’re just there to help you add depth and color to the character you’re embodying. And that opportunity exists for all characters, regardless of class.
If you ever have the I’m Sart Sampson Who The Hell Are You Shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.