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The orientation of the Behind Every Great Woman Are Great Women Feminists Woman Rights Rbg Ruth Bader Ginsburg shirt remained roughly horizontal, but instead of lying along either side of the rib cage, they now spanned the depth of the abdomen. The neck became more tightly curved too, which, in combination with the upright posture, actually placed the head well below the level of the breast, so when viewed head-on it was impossible to see the head at all! Gradually, fantail fashions changed again. This time the body became tilted forward once more toward the diagonal but also sank lower, bringing the knees up above the level of the thighs. The neck remained swept back to cushion the head just above the rump and, with the tail now held perfectly erect and spread, the whole bird has taken on rather spherical proportions.

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We finished around 15 sessions before we finished that story arc. Not bad. Some DMs spend like 5 hours or more prepping for each session. Over 15 sessions that adds up to a Behind Every Great Woman Are Great Women Feminists Woman Rights Rbg Ruth Bader Ginsburg shirt . I spend a fraction of that time and it’s because I work smart, not hard. This allows for a great deal of flexibility and dynamism in your game, while reducing prep time significantly from the method a lot of DMs seem to use, which is to painstakingly craft each encounter and run it almost as if on rails. It does require a lot of quick-thinking on your part as a DM, but it allows you to respond to the crazy things your players think up of doing on the fly, making the game and narrative much more exciting.

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Skalacon the Wizard, ‘Curator of magic’: Skalacon is one of the first big NPCs my players meet. He is evil, but he obeys the Behind Every Great Woman Are Great Women Feminists Woman Rights Rbg Ruth Bader Ginsburg shirt of the town so he doesn’t get into trouble. He is the ambassador to the Poomij Family so he has diplomatic immunity — you can’t touch a hair on his head (literally, because he is bald) without starting a war among the families; you don’t want that. That’s why people tolerate him.That said, Skalacon can take care of himself. He is a 13th level wizard. My players are about 5th to 9th right now. I keep the powerful (and important) NPCs a nice gap ahead of the players for good reason. Use this simple trick. Skalacon has a Quasit that can cast fear, invisibility and make a poison attack. The party hasn’t killed or even attacked ‘Slimeball’ yet, but if things ever get hairy — Slimeball will intervene first. Slimeball has been seen without Skalacon, causing some havoc and doing his master’s bidding. My players have never bothered him, not yet.

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If you ever have the Behind Every Great Woman Are Great Women Feminists Woman Rights Rbg Ruth Bader Ginsburg shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.