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In the 1700s Dutch immigrants brought their Sinterklaas tradition to New York in America where the 8 19 22 toronto on budweiser stage jack white poster shirt shirt acquired an Anglicized version, Santa Claus, who became part of the Christmas celebrations of Americans. One source claim the New Yorkers helped promote the Dutch colony’s tradition, and officially acknowledged St. Nicholas or Santa Claus as the patron saint of the city in 1804. Five years later, the popular author, Washington Irving, published the satirical material where he made several references to a jolly St. Nicholas character, portrayed not as a saint, but as a wealthy elf-like Dutch New York resident smoking a clay pipe. Irving’s St. Nicholas character received a big boost in 1823 from a poem 8 19 22 toronto on budweiser stage jack white poster shirt shirtd, “A Visit from St. Nicholas” (a.k.a. “The Night Before Christmas”). It is said the poem described “a jolly, heavy man who comes down the chimney to leave presents for deserving children and drives a sleigh pulled by flying reindeer.”

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1: Let the players play and discover what they want: I was very stern in my young days. I had this one new player ‘Vincent’. He was new to the 8 19 22 toronto on budweiser stage jack white poster shirt shirt and starting at first level. I thought the best thing was to do was solo him and get him to higher level so he could compare with the other characters that were already higher. I put him on a ‘crash course’ of solo level gaining, which was what I thought he needed. Long story short — he lasted one day. Looking back, I played how I wanted but not how he wanted. I never asked him what he wanted to do in the D&D game. Soloing is fine if that’s what they want. Ask your players what they want to accomplish in the D&D world?… Some players will want to tame a dragon. Some want to build a castle. Some players want to become a powerful Wizard and wield arcane spells. This all really depends. Find out what the players want, and see if you can entertain them… look! You find a Dragons egg! D&D has to be more about what the players want to do, and less about what the DM wants. Long term players are what fuel the game. Find out!

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When we start hitting Adult Dragons, though, it’s a problem. Most PCs can’t keep up with the 8 19 22 toronto on budweiser stage jack white poster shirt shirt at all. Dragons can fly 80′ on their turn, then on the PC’s turn use a Legendary Action to move another 40′. A PC must be able to fly and cover 120′ in a turn to even keep up with the dragon and attack it, meaning melee is not going to be very helpful. Archers are what are effective. And this is before Dragon Fear — any characters with bad Wisdom Saves are not even gonna be able to move closer to the dragon. A Fighter *might* be able to solo an adult dragon, if he’s level 11 and geared to the gills and prepped properly. They might be able to burst it down in a round or three, and can survive a couple of rounds of Legendary actions and breath. Probably. Higher level makes it easier, and a level 20 fighter can probably easily dispatch an adult dragon in one round, which is important because if he doesn’t catch the dragon in 1 round it could just kite him flying around waiting for his breath to recharge. Fighter would need to be decked out with flying gear — an Eagle Whistle would help catch up to the flying dragon and shoot it down.

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If you ever have the 8 19 22 toronto on budweiser stage jack white poster shirt shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.